An exploration in optical art and lettering, using repetition, voids, and rhythm to construct form. Built from a field of circular shapes, the letterforms feel simultaneously solid and porous, as if they are assembling and dissolving at the same time.
The word “US” emerged naturally. The fragmented surfaces suggest connection through absence, where meaning is carried not only by what is present, but by what is missing. The result is a typographic mark that feels unstable yet cohesive, playful yet slightly uneasy, inviting the eye to linger and reassemble the whole.